Liminares are those spaces that make us doubt whether we are in one place or another, beginning or ending something: adolescence, a frontier, illness. Beginning or ending something: adolescence, a border, illness. Is it a field of lilies and a pond that we see, or a fountain in the middle of a courtyard? lily field and a pond what we see, or a fountain in the middle of a courtyard? The artist proposes an installation that works in constant change: a journey, not a destination.
Convinced of the multiple readings of a work of art, her visitors will hesitate about the best place to look…. Like the lily, once a symbol of royalty (which is why it adorns the walls of the Patio del Reloj). The walls of the Clock Courtyard) and nowadays considered by many to be an old-fashioned flower, Weaver Weaver makes us rethink who and how the idea of “good taste” is decided. And there is yet another frontier in this space: that of the courtyard itself, between the hustle and bustle of the street and the public institutions and the public institutions.

Beauty can teach us to look differently at the most everyday elements, such as the simple esparto grass. The usual whiteness of the courtyard of the Palacio de Orive has become a metamorphosis of colour that makes us doubt what we see. Metamorphosis of colour that makes us doubt what we see. Who are these creatures we sense through the mysterious filter? We sense them through the mysterious filter: traces of a landscape? Or masses of plants transmuted into animals? With the Metamorphoses of Ovid’s Metamorphoses, KOKON invites the public to let themselves be guided by a mixture of intuition, confusion and curiosity to understand this new and ephemeral architecture.

In keeping with the canons of the Andalusian garden, the vegetation that normally adorns this Patio de las Columnas is presented in an orderly, regular and predictable manner. The Patio de las Columnas is presented in an orderly, regular and predictable manner. But something strange has happened in FLORA: the courtyard has been transformed into a futuristic landscape, ideal, chimerical, fantastic and full of colour, the result of supposed structural and physiological changes. Cordero Atelier is inspired by the mycelium – that network made up of billions of branches that branches that connects plants, flowers and trees underground and allows life in society – to make us walk through the in society – to make us walk through an impossible place. More than an artistic installation, what we find here is an invading presence that, in a silent and beautiful way, seems to come and beautifully, seems to come to reclaim its space.